BEGIN:VCALENDAR
VERSION:2.0
PRODID:-//PYVOBJECT//NONSGML Version 1//EN
BEGIN:VTIMEZONE
TZID:Europe/Brussels
BEGIN:STANDARD
DTSTART:20001029T040000
RRULE:FREQ=YEARLY;BYDAY=-1SU;BYMONTH=10
TZNAME:CET
TZOFFSETFROM:+0200
TZOFFSETTO:+0100
END:STANDARD
BEGIN:DAYLIGHT
DTSTART:20000326T030000
RRULE:FREQ=YEARLY;BYDAY=-1SU;BYMONTH=3
TZNAME:CEST
TZOFFSETFROM:+0100
TZOFFSETTO:+0200
END:DAYLIGHT
END:VTIMEZONE
BEGIN:VEVENT
UID:20261030T052643Z - 37788@eu949a.odoo.com
DTSTART;TZID=Europe/Brussels:20270123T090000
DTEND;TZID=Europe/Brussels:20270123T130000
CREATED:20261030T052643Z
DESCRIPTION:<a href="https://www.mindthevoice.be/event/dive-deep-how-to-sin
 g-high-notes-30">DIVE DEEP - HOW TO SING HIGH NOTES</a>\nSING HIGH NOTES W
 ITH MORE FREEDOM AND CONTROL. DIVE DEEP High notes are for one singer a na
 tural and almost magical part of the repertoire\, and for another a recurr
 ing source of frustration. Often followed by the belief: “I just don’t
  have a high voice.” But height is not only determined by talent or voic
 e type. During this intensive workshop\, Tiffany Veys discover what your v
 oice needs to sing high notes more freely\, more stably and with more cont
 rol. You work according to the Mind The Voice® Method with the Vocal Map 
 and Vocal Strategy: a clear\, step-by-step approach that maps your vocal p
 ossibilities and teaches you to train purposefully. You explore which voca
 l and physical settings are needed for different types of high sounds. You
  learn not only which exercises you can do\, but also why they work and ho
 w the right coordination in your body and voice should feel. This workshop
  is suitable for singers from various genres and with diverse levels of ex
 perience. Singers with a classical training or conservatory background can
  also discover new ways to use their upper register with more freedom and 
 control\, whether it concerns belting\, head voice\, mixed voice\, flageol
 et or whistle tones. In a small group of up to six participants\, you rece
 ive personal guidance and ample space to apply the techniques to your own 
 voice and repertoire.What can you expect? Belt\, mixed voice\, head voice\
 , flageolet and whistle tones You learn to recognise the differences betwe
 en these registers and sound settings. You discover how to train them and 
 how to switch more smoothly from one register to another.Twang as a tool f
 or height You explore how twang can contribute to clarity\, ring and proje
 ction in your high notes\, without adding extra pressure.Tailored breath s
 upport Not every high note requires the same support. You learn what breat
 h support is needed for belt\, mixed voice and [...]
DTSTAMP:20261030T052643Z
LOCATION:Lippeloseweg 44\, 2890 Puurs-Sint-Amands\, Belgium
SUMMARY:DIVE DEEP - HOW TO SING HIGH NOTES
X-ALT-DESC;FMTTYPE=text/html:<a href="https://www.mindthevoice.be/event/div
 e-deep-how-to-sing-high-notes-30">DIVE DEEP - HOW TO SING HIGH NOTES</a>\n
 SING HIGH NOTES WITH MORE FREEDOM AND CONTROL. DIVE DEEP High notes are fo
 r one singer a natural and almost magical part of the repertoire\, and for
  another a recurring source of frustration. Often followed by the belief: 
 “I just don’t have a high voice.” But height is not only determined 
 by talent or voice type. During this intensive workshop\, Tiffany Veys dis
 cover what your voice needs to sing high notes more freely\, more stably a
 nd with more control. You work according to the Mind The Voice® Method wi
 th the Vocal Map and Vocal Strategy: a clear\, step-by-step approach that 
 maps your vocal possibilities and teaches you to train purposefully. You e
 xplore which vocal and physical settings are needed for different types of
  high sounds. You learn not only which exercises you can do\, but also why
  they work and how the right coordination in your body and voice should fe
 el. This workshop is suitable for singers from various genres and with div
 erse levels of experience. Singers with a classical training or conservato
 ry background can also discover new ways to use their upper register with 
 more freedom and control\, whether it concerns belting\, head voice\, mixe
 d voice\, flageolet or whistle tones. In a small group of up to six partic
 ipants\, you receive personal guidance and ample space to apply the techni
 ques to your own voice and repertoire.What can you expect? Belt\, mixed vo
 ice\, head voice\, flageolet and whistle tones You learn to recognise the 
 differences between these registers and sound settings. You discover how t
 o train them and how to switch more smoothly from one register to another.
 Twang as a tool for height You explore how twang can contribute to clarity
 \, ring and projection in your high notes\, without adding extra pressure.
 Tailored breath support Not every high note requires the same support. You
  learn what breath support is needed for belt\, mixed voice and [...]
END:VEVENT
END:VCALENDAR
